- Spaseniye Sodelal, by Pavel Grigorievich Chesnokov and
- Song of Peace by Vincent Persichetti
Afterwards, Mike R (another 2nd tenor), my wife and I walked to a nearby cafe to have a celebratory cocktail and to discuss the performance. I think we are doing well on the Chesnokov because we are singing in Russian, not in spite of it. That is, since almost all of us are singing phonetically, I think we are focusing heavily on the dynamics of the individual syllables, rather than focusing on how we should sing them rather than how we normally say them. Since we know only one pronunciation, we skip all the vowel complexity and concentrating on making good sounds.
Or at least that's my working theory.
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